Blues guitar icon Buddy Guy still recalls being summoned to the office of Leonard Chess, the head of Guy's record label Chess Records back in the '60s, only to have the record executive bend over his desk and demand a "kick in his butt."
Guy, who's performing Thursday at the Jack Singer Concert Hall, doesn't say whether or not he delivered that kick, but truthfully it was warranted.
Even though Guy had been signed to the Chicago label since 1959, Chess seldom allowed the guitarist to be himself artistically.
Live, Guy was carving out a blisteringly heavy blues sound that would turn out to be tremendously innovative.
But Chess hated the direction Guy was going--he denounced it as pure noise--and he tried to mould the Louisiana born musician as a singer of R&B ballads and novelty soul tunes.
When the British Invasion got underway in the '60s, however, Chess began to see, or rather hear, the error of his ways.
Suddenly, young, white English rock bands like The Rolling Stones, The Yardbirds and Cream were emerging, topping the charts with a sound that seemed somehow familiar to Chess.
When the record executive quizzed the young bands as to where they were getting these raw, powerful sounds from, he was horrified to be told they were coming from his own backyard.
"They were telling him, 'This is Buddy Guy's s----, man!," says the Grammy Award winning blues hero.
"(Chess) sent his people to my house and said, 'Go get that (expletive), 'cause he's been trying to sell us this stuff ever since we been here and we was too dumb to listen to him!' "
Back then Guy struggled with his career while the blues rockers he so profoundly influenced found fortune and fame that Guy hadn't even dreamt of.
But the acclaimed guitarist, now 72, says he never felt bitter when the likes of Jimmy Page, Eric Clapton, Keith Richards and Jimi Hendrix found enormous success as rock stars while Guy himself was marginalized in the far less lucrative ghetto of blues music.
"All those guys are my friends," explains Guy.
"Without them you wouldn't be interviewing me now. They're the ones that went out and sold (the music).. . .
"They'd always be telling me, 'I got this from you and that from you.' But I'd say 'So what? I got mine from Lightnin' Slim and B. B. King.' "
Indeed, when asked if he feels like a pioneer of blues-based hard rock, Guy is humble, assigning credit to his own heroes.
"I still feel like every guitar player I know should have two Bs on their guitars. . . . (B. B. King is) the one that started squeezing and bending them strings because he couldn't learn how to use slide . . . and that's all me and everybody else is doing."
Another way in which Guy's influence was profoundly felt on the rock world was in his explosive showmanship.
To this day, Guy is known for travelling into the depths of the audience while jamming, having excited audience members strum his guitar while he coaxes wild solos from the fretboard.
"I got that from the late Guitar Slim," Guy says.
"He didn't have the wireless (guitars) and all the technology which I have now . . . but he had a 150-foot chord. . . .
"The first time I ever saw him, it was around 1955 and, when they introduced him all I heard was a guitar playing. I couldn't see nobody. Suddenly somebody walked through the door with Guitar Slim on their shoulders.
"I couldn't believe it. . . . Right then I said 'I sure wish I could play like B. B. King, but I'm gonna act like Guitar Slim.'
"When I left Louisiana for Chicago, the first thing I did was go to the store looking for a 150-foot chord."
Guy is currently touring in support of his latest album which was released earlier this year entitled Skin Deep.
No more needs to be said. I'll be sitting front row tonight enjoying whatever he has to offer. I've seen him command crowds of 15,000 to 150 and it doesn't change much. His life is the blues and his fans and that 72 year old can kick some major ass.
See you folks tomorrow.